Brand Photography for Companies in Miami and South Florida
Team headshots, workplace imagery, leadership portraits, and facility photography — a complete visual library for your website, recruiting, and campaigns.
Your Brand Doesn't Have an Image Problem. It Has a Consistency Problem.
The leadership headshots were shot by three different photographers across four years. The careers page runs stock photos of an office nobody works in. The sales deck borrows a cropped event photo because nothing better exists. Each piece looks fine on its own. Together they tell a visitor that nobody is minding the brand.
Brand photography solves that by treating your imagery as one system rather than a series of unrelated bookings. I've photographed for companies across South Florida since 1997 — including NBC Universal, Accenture, GlaxoSmithKline, Adobe, and Bacardi — and shoot on assignment for Getty Images. The work is built to match your brand guidelines, hold up in print and on screen, and still look like it belongs together two years from now.
No two companies need the same set. Depending on your business and your marketing goals, a project can include one, several, or all of the following.
Team Headshots
Uniform, professional headshots of every team member — consistent in lighting, background, and framing so they sit together cleanly on your website, About page, LinkedIn profiles, and press materials, while still letting individual personality come through.
I direct each person into flattering poses and expressions, which matters most for the people who dread being photographed and would otherwise account for the three portraits you can't use. Files are delivered fully retouched and optimized for both web and print.
My on-site studio has a small footprint. It sets up in a conference room or an unused corner, runs on a schedule you control, and keeps disruption to a minimum — most teams cycle through in a few minutes each without leaving the floor.
Group and Leadership Portraits
Sharp, carefully arranged group photography that reads your culture and structure correctly — formal or relaxed depending on what your brand calls for.
Group photos fail in predictable ways: someone gets buried in the back, the composition reads as a lineup, or it works at full width and falls apart cropped into a slide. I stage and direct groupings to stay balanced at any scale, from a full-width website banner to a thumbnail in an internal deck.
Editorial and Environmental Portraits
Styled, location-based portraits with real depth and mood — the kind of image that runs alongside an article feature, anchors a conference program, or carries a campaign.
Location, lighting, and styling are built around the individual and the message rather than applied as a formula, so the results feel stylish and specific rather than corporate-generic. This is the format for executives who need something with more presence than a headshot, and for anyone whose profile is about to be published somewhere that matters.
Workplace and Documentary Photography
Natural, documentary-style coverage of your team actually working — meetings, hands-on tasks, client interactions, product workflows.
The goal is a believable story rather than a set of poses. Real details, real motion, real interactions. These are the images that carry careers pages, case studies, and sales collateral, because they answer the question a candidate or prospect is actually asking: what is it like to work with these people?
Practically, this is also the fastest way to stop paying for stock photography that looks like everyone else's.
Facility and Space Photography
Considered photography of your physical environments — offices, retail locations, studios, production floors, and public-facing spaces.
Architectural interiors are a lighting problem before they're a composition problem: mixed daylight and fluorescent, windows that blow out, ceilings that turn everything green. Handled properly, these images do quiet work across your site, recruiting materials, real estate and expansion announcements, and press requests.
How a Project Works
01
Scoping call. We talk through what the images are for — website refresh, recruiting campaign, press kit, all of it — and I put together a shot list and a quote. Bring your brand guidelines if you have them.
03
Shoot day. I arrive early, set up, and work through the list. On-site studio for headshots, then documentary and environmental coverage around your team's actual schedule rather than interrupting it.
04
Delivery. Fully processed, retouched images optimized for web and print, delivered via WeTransfer or Dropbox. Turnaround is quoted with the project and is typically days, not weeks.
Schedule. Most projects run a half or full day on site. Team headshots run on a booking schedule so people arrive in waves rather than losing a morning. Larger teams and multi-location projects run across multiple days.
02
Questions Before You Book?
The FAQ page covers what's included, how retouching works, what's needed to book, and the questions that come up most often. If you don't find what you're looking for there, reach out and I'll answer it directly.
Session Pricing
Every session includes:
Pre-session consultation
On-location setup at your office or venue
Live proofing on set plus a personalized proof gallery
Five fully retouched images per person
Full-size and web-size files delivered within 24 hours of selection
Full commercial usage release
People
1-4
5-9
10-19
20 & more
* Retouch turnaround can run a day or two longer for groups over 20.
Rate
$325 each
$300 each
$275 each
Contact for quote